I think even if we thought it sucked, we would still probably shoot it. Robinson: We’ve never scrapped while we’re shooting it. Have you ever had a Karl Havoc–type situation where you decided to just scrap a sketch in the middle of filming it? And then people come in for two weeks, three weeks at time, sometimes longer. Now if you need to tell someone that they have no good car ideas, or.
Robinson: Yeah, we’re here for the whole time. Specifically, a soundboard of everyone’s favorite car-focus-group participant on I Think You Should Leave With Tim Robinson. John Solomon has helped us every season, and then Patti Harrison, Gary Richardson, and some other people who just come in a little bit at a time. It does a good job of conveying the aesthetic of awkward social experiences and it makes feeling uncomfortable funny and entertaining. Is it mostly just you two? Or do you have a room where you can throw ideas around with other writers? It’s entertaining nonetheless, but not really highly intelligent or containing meaningful social commentary. We just want to feel good about it, and for us to be laughing while we’re making it. We’re just trying to find stuff that makes us laugh, that’s the only criteria. The trailer for season 3 of I Think You Should Leave with Tim Robinson is finally here, and it provides a quick glimpse of the future memes well be quoting for years to come. We talked about it a little at the top, but what is the usual creative process for brainstorming and writing the sketches? And has that changed at all over the years?
We might not be able to shoot the whole thing if we can’t push it.
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